Sunday, March 31, 2013

Dali Lama

Pottery Workshop Registration Now Open!


Hands-on Pottery Workshop with Emily Reason
 at Wild Acres Retreat, Little Switzerland, NC
August 26-30, 2013
This workshop will be structured to suit participants’ needs, so bring your questions and requests.  We’ll focus primarily on wheel skills and address surface treatment.  Forms we’ll explore include cups, pitchers, plates and serving pieces.  Achieving intent and recognizing characteristics of quality will be our goals to develop good habits and improved skills. One of the greatest benefits of a workshop like this is the dialogue that we share as we work together.  Ongoing discussions about inspiration, aesthetics, function, education and marketing enrich this experience.  Each day we’ll engage in demonstrations, hands-on time, discussion and reflection over tea or cocktails.  We conclude Friday with a studio tour of the Penland and Marshall areas.
Skill level: Intermediate-Advanced

Workshop fee: $600 includes room and meals. There is an additional charge for clay.
Deposit:  $300 reserves your space - due June 26, balance due August 1
           
For further information and registration contact Emily Reason reasonpots@gmail.com,  OR download the registration form at: http://emilyreason.com/news.html


Saturday, March 30, 2013

Clay Open House- Asheville NC


Foundations Clay Open House


April 13th 1-6pm

95 Roberts Street Asheville NC


Bily Brown*Andrew Massey* Trista Hudzik Reynolds*Mellie Mae Lonnemann*Andrew Massey*Marissa Domanski* Jim Mcdowell*Laura Nelms


Come join us for a day of FREE   demos, conversation, and celebration in clay

Friday, March 29, 2013

Table top ram press for sale! SOLD!!

Clubbers.
My mom is selling a table top ram press. It has not been used in several years We are asking $700 for it! It comes with two tile molds a 6 inch and a 4 inch. We have a large air compressor if anyone is interested! Give a call to 828-675-4241 if interested! Thank you!

Upload your favorite bowl NY Times!




Try this fun thing from the NY Times:

http://submit.nytimes.com/favoritebowls?ref=garden

Thursday, March 28, 2013

Bringle class .Wildacres 2013

  Come to Wildacres a wonderful retreat center in the NC mountains .. Intermediate class on covered  pots (  no firing )     Sept 30 -  Oct 4 ... contact  cynthiabringle@gmail.com.     .828 765 0240

Call to Artists - Wall piece for Temple Beth El Charlotte



PROJECT
Hodges Taylor Consultancy is facilitating a Call to Artists on behalf of Temple Beth El in Charlotte, NC. Temple Beth El is seeking a professional artist to be commissioned to create artwork for their new atrium wall. This project is open to local, regional, national and international artists. The budget for the commission is $25,000 including delivery and installation.

DEADLINES
Deadline for Written Questions - 5:00 Friday, April 19, 2013
Send questions via email to Elizabeth Maddrey emaddrey@hodgestaylor.com.

Deadline for Submissions of Interest - 5:00 pm Wednesday, April 24, 2013
Send submissions via email to emaddrey@hodgestaylor.com or by mail to:
Hodges Taylor Art Consultancy, 118 East Kingston Avenue,
Suite 25,Charlotte, North Carolina 28203 (Attn: Temple Beth El)


EMILY SHANK
Shop Manager & Executive Coordinator
200 N. Davie Street, Box 4 | Greensboro, NC 27401

Wednesday, March 27, 2013

Odyssey Class : "Wood-Fired Micro kilns"


jones_unglazed_1
Wood firing produces a huge range of results. The piece above is from UNC-Asheville’s anagama in 2007, titled unglazed. It went in just raw white stoneware. I put it under the grate in one of the side stoking chambers and as the kiln was fired it was covered with more and more wood ash. You can see the three distinct wadding marks with a significant amount of wadding remaining on two of the areas at the bottom. This is one of the most beautiful pieces of my work to come out of a wood kiln. All the color, rivers of iron and caked on coals are from the wood and atmosphere of the kiln.
I’ll be teaching a workshop at Odyssey Center for Ceramic Arts called “Woodfired Micro Kilns” from April 8th to May 13th. This class will focus on kiln design. In the description it says we will fire mini pots and there may be time to do that but the intent is not necessarily for the student to leave with a finished piece of work. The intent is to gain a basic knowledge of kiln design and an understanding of how flames move through space and how to manipulate the flame path. Since the class is one day a week for 2.5 hours there’s not a lot of time to fully fire our wares. After all, heat work is a combination of temperature and time. HOWEVER, we will have so much fun building small kilns with scrap brick and firing them enough to observe the flame path and get a good, long fire going. We will see who gets a flame out the top of their chimney first! We will also play around with low fire materials like borax, oxides, melting glass and other fun stuff. Of course, I will be posting photos of our fiery research.

Contact Molly

poorepots(at)gmail.com

Tuesday, March 26, 2013

PIE

STEVE WHITE'S 

Beefy Pear, Gorgonzola, Walnut Crostata

One recipe for pie dough

1and ¼ cups AP flour
½ teaspoon salt
one stick cold unsalted butter, cut into ½ inch cubes
1 teaspoon dried thyme
¼ cup ice water

Filling
1.5 ripe firm Bartlett pears, cored and thinly sliced
Juice of ½ lemon
1/3 cup coarsely chopped dried apricots
3 slices bresaola or if unavailable, prosciutto or pancetta, coarsely chopped
1/3 cup coarsely chopped walnuts
1/3 cup John Britt Honey
½ teaspoon coarsely ground black pepper
pinch salt
generous dash of cinnamon
1 tablespoon flour
egg wash (beaten egg, pinch of sugar, salt)

Topping
¼ cup crumbled gorgonzola or more if desired
fresh ground pepper

Preheat oven to 375 F

Make the pie dough. In a food processor, pulse the flour and salt. Sprinkle the butter evenly around and pulse 10 one second pulses. Add the thyme and pulse a few times. Pulse adding the water in increments. Pulse just until the dough starts to come together. Do not have processor wad it into a ball. Dump in a big bowl and knead one or two times. Form a disc half inch thick and wrap in plastic wrap. Let it rest in fridge at least 30 minutes or overnight.

In a large bowl gently toss all the filling ingredients coating the fruit completely. Chill 20 minutes

Roll out the pie dough on a floured surface to a 12 inch circle. Move it to a parchment-paper-lined cookie sheet that’s about 18X13 inches. Put the filling in the center and spread it so that there is a two inch border of free pastry space. Sprinkle the gorgonzola on top the filling and then the pepper. Gently fold in the two inches of pastry dough all the way around. There will be rustic folds. Try to not have breaks in the dough and there will not be leaking of juices. Brush the raw dough with egg wash. Bake 45 to 50 minutes, midrack until golden and bubbly. Serve warm or at room temperature as an appetizer, main course or dessert.

Bees are tucked in.


Even in Mitchell County near Penland - we got snow.  The bees are stuck in for a while!

Blizzard on Roan


Last night at about 6:00 p.m. it was white out conditions !! 


Weather Dog 2013


Weather Dog says BLIZZARD on the Roan!

Friday, March 22, 2013

Hands-on Workshop w/ Emily Reason at Wild Acres

Join me August 26-30 for a fun and focused week of clay at Wild Acres retreat.  If you'd like to receive more information and pricing EMAIL ME reasonpots@gmail.com
Thanks and hope to see you this summer!
-Emily
reasonpots@gmail.com
www.emilyreason.com


Wednesday, March 20, 2013

Jason Bohnert & some sap

Back in February, I had the rare opportunity to hang with my West Virginia University ceramics homies.  As we've gone our separate ways to start careers and families, it sure was special for me to see these old friends all at once.  If I  may get a little sappy for just one moment, for the short time we got together in February it felt like no time had passed between us.  I think all of us clay people have forged unique friendships through our common love of clay.
Potter and Educator Jason Bohnert was recently invited by Brad Birkhimer, Adjunct Professor at Hood College, Frederick, MD, for the college's Visiting Artist program.  The Workshop featured functional ceramic art such as cups, mugs, pouring vessels, and bowls with faceted surface decoration techniques inspired by Arizona landscapes and Yixing China ceramic artists.  Jason’s ceramics arts depend mainly on a wood fired environment to get the surface colors and textures that his Arizona surroundings inspire.
Steve Barber of Unit4 Media created visual documentation of the workshop. Click here to see images from the workshop and a 2004 video Steve made of the WVU Wood kiln building project in Jingdezhen, China.
Unit4 Media provides services in photography, videography, graphic design and web design.  

Tuesday, March 19, 2013

June Perry's Oxide WASH list

Just saw June Perry's list of oxide Washes on here blog:

http://shambhalapottery.blogspot.com/2013/03/happy-st-paddys-day.html


So I thought I would post it here too!

June is and awesome person and potter and we miss her alot!!


......... This morning, I weighed out a couple of small glaze batches of my new clear glaze, got one sieved and still have to do the other one. Then I want to test some oxide washes over the clear and the same base with 3% rutile. Before I moved I discarded or gave away all my washes, so it's time to start over.

Here's a list of oxide washes I've accumulated and tested over the years. I used these with my cone ten reduction glazes, but many would work just as well over oxidation glazes.

When water amount isn't specified, just aim for a water color consistency. For lower fired usage, substitute gerstley borate, or frits like Ferro 3124, or Ferro 3134 for the feldspar.

OXIDE WASH RECIPES

#1 40 GRAMS ILLMENITE, 13 GRAMS KAOLIN 3/4 CUP WATER

#2 1T CHROME OXIDE, ½ T GERSTLEY BORATE 1 CUP WATER

#3 9 GRAMS RAW OCHRE, 2 GRAMS COBALT, ½ CUP WATER

#4 3T RED ART, 3T OM#4 BALL CLAY, 3OZ WATER

#5 10 GRAMS COPPER CARB, 1 GRAM RED IRON, 1tsp KAOLIN, 1tsp COLEMANITE, 1/4 CUP (APPROXIMATELY) WATER

#6 1 1/4 tsp COBALT CARB, ½ tsp CHROME OXIDE, 3 T ALBANY SLIP(CAN SUB ALBERTA SLIP), 4 OZ WATER

#7 100 GRAMS RED CLAY, 4 GRAMS COBALT OXIDE, 4 GRAMS MANGANESE DIOXIDE, PLUS WATER TO MAKE WATERCOLOR CONSISTENCY.

#8 50 GRAMS NEPHELINE SYENITE, 50 RED MULE CLAY + WATER.

#9 20 GRAMS CHROME OXIDE, 10 GRAMS BALL CLAY , 10 CUSTER SPAR, 20 SILICA, 20 FLUORSPAR, 2 CUPS WATER

#10 1 tsp NICKEL OXIDE, 2 tsp RED IRON OXIDE, 25 GRAMS POWDERED CLEAR CELADON, PLUS WATER.

#11 50 GRAMS RED IRON OXIDE, 50 COPPER CARB, 1/4 CUP WATER.

#12 CARDEW AQUAMARINE 80 GRAMS CHROME, 20 COBALT CARB, 20 RUTILE, PLUS WATER.

#13 10 ALBANY SLIP (OR ALBERTA SLIP), 1 COBALT OX., PLUS WATER, FOR BLUE BLACK.

#14 RED ART ALONE (CAN USE AS BUTTONS IF MIXED LIKE THICK SLIP)

#15 3tsp RED IRON, 1 CUP WATER, 1tsp CHINA CLAY

#16 30 GRAMS COLEMANITE, 20 RUTILE, 20 CLEAR POWDERED CELADON, 4OZ WATER.

#17 1 tsp COBALT CARB, 1/4 TSP CHROME OX, 1/4 C. WATER, 1/4 tsp POWDERED CLEAR CELADON

#18 1 T RED IRON OXIDE, 1 T RUTILE, 1 T POWDERED CLEAR CELADON (Or Frit 3124)

#19 DRY PORCELAIN BODY 50 GRAMS, RED IRON OX 30 GRAMS, COBALT OX. 20 GRAMS, PLUS WATER. (HATCHER)

#20 75 GRAMS RED CLAY, 25 IRON OXIDE, 1 CUP WATER.

#21 RED ART 25 GRAMS, TENNESSEE BALL CLAY 13, NEPH.SY. 7, RED IRON OX. 2. PLUS WATER SIEVE IN 150 MESH. FOR RED.

#22 SAME AS #21 EXCEPT SUBSTITUTE RED MULE FOR RED ART.

#23 BLUE TRAILING SLIP FOR BISQUE.
60 GRAMS GROLLEG, 11GRAMS TENNESSEE BALL CLAY, 9 GRAMS RED CLAY, 20 GRAMS CORNWALL STONE, COBALT OXIDE 1 GRAM, 1 GRAM COBALT OX. ADD WATER, SIEVE 150 MESH.

#24 BLACK UNDERGLAZE: 43 GRAMS BLACK IRON OX., 18 MANGANESE DIOXIDE, 15 COBALT OX., 15 NICKEL OXIDE, 9 CHROME OX. PLUS WATER.

#25 DAVID MORRIS BLUE PIGMENT - GOOD ON CHUN OR TIN GLAZE:
21.6 % POTSPAR, 27.2 WHITING, 6.4 CHINA CLAY, 2 BENTONITE, 8 NEPH. SY. , COBALT CARB. 0.7 PLUS WATER.

#26 ORANGE SLIP: 10 CUSTER SPAR, 70 OM#4 BALL CLAY, 20 FLINT, 20 RUTILE, PLUS WATER.

#27 15 GRAMS GERSTLEY BORATE, 30 WOLLASTONITE, 20 BARNARD CLAY, 35 0M#4 BALL CLAY, ADD: 3% RUTILE

#27A 20 GRAMS GERSTLEY BORATE, 30 WOLLASTONITE, 20 BARNARD CLAY, 30 OM#4 BALL CLAY. ADD: 3% RUTILE

#29 12.1 GRAMS SODA ASH, 22.6 BARIUM CARB, 15.6 GERSTLEY BORATE, 34.6 SILICA, 10 TIN OXIDE , 7.5 COPPER OX.,

#31 REPLICA COPPER UNDERGLAZE: 20 REDART, 66 WHITING, 14 COPPER OX., - GOOD OVER AND UNDER CLEAR FELDSPATIC GLAZE.

#38 100 GRAMS EPK, 4 COBALT OX., 1 YELLOW OCHRE, PLUS WATER.

#39 90 ALBANY SLIP (OR ALBERTA SLIP), 10 COBALT OX, PLUS WATER.

#40 GLICK RUST PLUM - 2T RED IRON OX, 1T POWDERED CELADON. PLUS WATER.
* CAN ALSO TRY SUBSTITUTING FRIT 3124 FOR THE CELADON.

#41 GLICK RUST GOLD - 10 tsp RED IRON OX, 5 TSP RUTILE, 3T POWDERED CLEAR CELADON, 2 CUPS WATER.

#42 GLICK GREEN, RED, MAUVE - 2T COPPER CARB, 1T POWDERED CLEAR CELADON, PLUS WATER.

#43 GLICK PURPLE RED - 10 tsp COPPER CARB, 1 tsp COBALT CARB, 5T POWDERED CLEAR CELADON, PLUS WATER.

#44 Dark Brown (w/reddish tone) - 10 grams Copper carbonate, 1 gram Red Iron Oxide, 1-2 tsp of Frit 3134 or clear, dry celadon base.

#47 Yellow Green - 1/2 Copper Carbonate, 1/2 Rutile (by weight) + water to make watercolor consistency.

#50 Gold: Rutile 50, Frit P54 or equivalent. 50 by weight + water to make watercolor consistency.

#51 Red Orange: 50 Rutile, 50 Red Iron Oxide, 50 Frit P54 or equivalent + water to make watercolor consistency. (can go pretty red on high calcium white glaze)

#59 Green: Chrome oxide 1 T, Gerstley borate or Frit 3134 (boron frit) 1 1/2 tsp + water to make watercolor consistency.

#63 Pink or purplish brown: Manganese Dioxide 1tsp, 1/2 C water

#67 Red Underglaze: Red Clay 3 parts, Red Iron oxide 1 part + water to make a water color consistency. (for comparison, try versions using both weight and volume).

#71 Leach blue: Red Clay 10, Cobalt oxide 20, Red Iron oxide 30, Manganese Dioxide 40. + water to make a water color consistency.

#80 1/4 tsp Cobalt Carbonate, 3/4 tsp Frit 3124, 1/4 cup water. Light blue or lavender on a high magnesia glaze.

#83 Medium Green: 25 Cobalt Carbonate, 53 Rutile, 2 Chrome Oxide, 20 Gerstley Borate + water to make a water color consistency.

#86 Tan/Orange: 50 Rutile, 17 Titanium Dioxide, 33 Gerstley borate + water to make a water color consistency.

#87 Underglaze Blue: Cobalt oxide 30, Nickel Oxide 4, Manganese Dioxide 16, Grolleg 50 + water to make a water color consistency.

#89 Bright Blue: 70 Cobalt Carbonate, 20 Gerstley Borate, 10 Titanium Dioxide + water to make a water color consistency.

#91 Iron Yellow: 70 Red Iron Oxide, 30 Titanium Dioxide + water to make a watercolor consistency.

#105 Kawai Red (use under a limestone glaze) Black Copper Oxide 60, Zinc Oxide 28, Tin oxide 3, Hard ash (Rice Straw) 9. NOTE: Clean sweep available from cleaning maintenance suppliers is made from rice hull ash and may work as a suitable substitute.

All in a days work....




Tiles for the cone 6 book...

Artist Residency in TEXAS


If you know anyone who might be interested in our residency program, please forward the message below . Our residency has been enhanced by the inclusion of a true stipend and free housing!

Thank you for your time!
Best,
Steve

Artist In Residence (one year minimum)
Midwestern State University
Ceramics Department
Dates of Residency: September 1, 2013 through August 31, 2014 (the beginning date is flexible from now until September 1)
 
Application deadline: April 15 (for full consideration) or until position is filled

This self-directed residency is designed to provide a ceramic artist with studio access, as they make the transition from or between academic settings. Furthermore, the program is intended to allow a resident the time and space to pursue a body of work in a creative and energetic environment while enhancing the art program at Midwestern State University. The accepted artist will participate within the ceramics area as an informal collaborator and mentor for students, while working in the common studio space. To see images of the ceramics studio at Midwestern, go to:


Midwestern will provide:
• All materials and firing
• Small office with internet access and storage space
• Studio space in the common 4000 square foot studio area
• 24-hour/7 days per week studio access
• Most university privileges as given to full time faculty (access to workout facility, reserved parking, library access, etc.)
• A small furnished apartment located at a private residence three miles from MSU (details to be discussed during the interview process)
• A minimum stipend of $6000 (to be discussed during the interview process)
• I'm working on the possibility of an exhibition either at a local venue, MSU, or the Wichita Falls Art Museum 
The Resident Artist:
• Will be responsible for 10 hours per week of studio management and maintenance (including but not limited to the following: loading and unloading kilns, clay inventory, mixing clay, mixing glaze and firing kilns, Wichita Falls empty bowls)
• Will teach one continuing education wheel-throwing course per semester
• Will attend opening receptions and special events
• Will be responsible for all non-ceramic related expenses
• Will give one public lecture on her/his work
• Will donate one piece for the permanent collection of MSU
 
Equipment available to Resident:
• Three large electric kilns
• Two smaller electric kilns
• Large Brent slab roller
• Two extruders
• Three pugmills
• Soldner mixer
• Separate well equipped glaze room
• Two station spray booth
• Materials and clay mixing/storage room
• 18 electric wheels
• One wheelchair accessible wheel
• A 5,000 square foot covered kiln yard furnished with the following:
• Two 40 cubic foot Geil car kilns
• A 30 cubic foot “fast fire” wood kiln
• Two older updraft kilns
• A 30 cubic foot downdraft soda kiln
• A 3 cubic foot cone 10 test kiln
Requirements and application:
A BFA in ceramics is required, an MFA is preferred. All applicant reviews will be based on portfolio review and individual merit.

For initial consideration, please e-mail or make the following available by website/blog by April 15 (we will continue to accept applications until position is filled):
• Letter of interest with a paragraph on what you would like to accomplish while at MSU
• Resume or CV
• Artist's statement 
• 15-20 jpegs of recent work 
• If available, 10 jpegs of student work
• Contact information (email and phone) for 3 references . . . Please make on a former professor
 
Steve Hilton
steve.hilton@mwsu.edu
 
Midwestern State University
Juanita and Ralph Harvey School of Visual Arts
3410 Taft Blvd
Wichita Falls, TX  76308
 
(940) 613.7041
 
If the opportunity presents itself, please introduce yourself this week in Houston (NCECA). 

Please do not hesitate to call (after NCECA) or email if you have any questions.

(Application deadline: April 15 or until position is filled)

Bailey Glaze Table FOR SALE




Could only get a stock image but check link...it is used and in Maryland.

http://www.govdeals.com/index.cfm?fa=Main.Item&itemid=135&acctid=2800

This is a Bailey Model #2 Stainless Steel Glazing Table in excellent condition. It has 10 bins, 5 on each side, that pivot out for holding dry glazing material, but could be used to hold other items. The dimensions are 48" wide x 41" deep x 37" high. There is some dried glaze on the top of the table. Please see the attached photos. All items are sold "AS IS, WHERE IS."

To make an appointment for inspection, please contact Dan Taylor at dctaylor@hagerstowncc.edu. 

Available hours are Monday through Friday, 9:00 am - 4:00 pm.
Buyer is responsible for removal and transport of all items. 
No assistance will be provided.

Saturday, March 16, 2013

Baltimore Clayworks residency opportunity

Hello clubbers,
The deadline for Baltimore Clayworks Lormina Salter Fellowship residency is coming up April 15th. Come be my studio mate! For more info click here.

Patty

Friday, March 15, 2013

Clay club March 2013 Album

Barbara Rogers posted this album in case you weren't there:

https://plus.google.com/photos/114864326942603600015/albums/5855213027709029425

Clay Club people/work

Alex Matisse - November Clay Club 2012

Hey,

Anyone from the March Clay Club have images they want posted? Send them my way or send me your name and a link to your blog/Etsy/homepage etc.

People complained that they don't the work people do and many of the faces at clay club are familiar but they can't put the name with the face...so if we post some images ...it might help.

It is impossible to know everyone at Clay Club because there is a potter under every rock in WNC!

And there are different groups that go to meetings/events in Asheville, Black Mountain, Flat Rock, Haywood, etc. But if you want to meet potters, make the effort to come to the meetings.

We have fun and I know it is hard to muster the energy to drive for an hour to see everyone ....but I always seem to come home happy I went!

See you there!

Thursday, March 14, 2013

Molly Poore Pottery

image

Here are some of Molly Poore Pots and here is a links;

http://poorepots.wordpress.com/


Michon Senter

Bowls

Here is Michon's work:

http://www.earthinhand.net/

She will be hosting the Clay Club in June 2013.

Atcha Turner

pot1
People at Clay Club wanted me to post some of the images of people who came last night. It is hard to know everyone who comes but perhaps we could have a show and tell some Clay Club with everyone bringing a pot they make.

But her is Atcha Turner's site:  http://banyantreepottery.com/gallery.html

I couldn't enlarge any of her photos but you can go to her site.

Anyone else who wants to be listed ...send me your link. 

Clay Club- Black Mountain March 13, 2013

Had a great time at Clay Club last night.  Thanks to Barbara, Charles and the entire Black Mountain group for being so hospitable and allowing us to invade their space!

We had a good crowd to watch Charles throw a large teapot and tell stories of Texas and other foreign lands.



The next Clay Club will be April 10 , 2013 at ArtsCentered in Bakersville. Jann Welch will present a demo on Colored Clays and Ila Prouty is our special guest artist, she never fails to inspire! 

ARTsCENTERed is providing a honey baked ham, sandwich rolls, condiments, cider and sodas. Bring "sides", chips or whatever.


The May Clay Club will be at  John Hartom's in Burnsville.

The June Clay Club will be at Michon's in Asheville.
http://www.earthinhand.net/

The July Clay Club will be at Stephen Foehner and Susan Clusener in Weaverville.
http://ncclayclub.blogspot.com/2012/11/susan-clusener-and-stephen-foehner.html

Wednesday, March 13, 2013

RAW MATERIALS FOR SALE


$10 per bag, 50 lb bags, Number of bags available varies

Refractory
Gold Art
Red Art
Hawthorne Bond, 50 mesh
No. 10 White
Ball Clay

For more information
Call or Text: Michon 571.242.4946 or Andrew 864.314.4204

Tuesday, March 12, 2013

Still time to sign up for my class!


emilyreason


8-Week Classes

Steppin' Up: Innovative Intermediate Throwing

Instructor: Emily Reason
March 27th-May 15th
Wednesdays, 10am-12:30pm
$300 + $45 lab fee
Intermediate

Join this class to expand your repertoire of wheel-thrown pottery techniques. A nesting bowl project helps students to develop a sense of rhythm required to make sets and gain confidence for throwing larger amounts of clay. Through the candelabra project we'll learn about throwing off the hump, altering, closed forms and assembling. Students should have experience throwing and trimming small forms.

for MORE CLASSES at Odyssey click HERE.



Car pooling to Clay Club

Amy and I are car pooling from my studio tomorrow at about 5:15 - 5:30 if anyone wants to go?  

Clay Club Wednesday March 13, 2013

Yo Clubbers,

Clay Club will be Wednesday March 13, 2013 from 6:30 - 8:30 pm in the downstairs clay studio at The Black Mountain Center for the Arts:  


Direction on webpage. 

The address for the Black Mountain Center for the Arts is on State street but- we are behind the main building on the lower level with our own parking lot .

Charles Freeland, studio manager is hosting this month. I think he is going to have a brief slide show and then a demo. Should be a good time to get out and see some folks and have some FUN! 

General POTLUCK (bring whatever but if there is a problem - just come anyway!)

Parking available various lots after hours.



Thank you,

John 


John Britt Pottery
154 Sparks Road 
Bakersville, NC 28705

Monday, March 11, 2013

Clay Club???

I know we're going to Black Mountain this Wednesday, but are there any other details? Directions?  Carpools? etc.?

Saturday, March 9, 2013

Pottery Wheel NEEDED 2013 DONE!!!!!

Hello,DONE!!!DONE!!!!DONE!! 


This is Anja Bartels from Odyssey in Asheville. I'll be starting my artist

residency here soon and am still looking for a used electric wheel to buy.


I have about $300 - $400 to spend,


Please contact me at -


DONE!!!DONE!!!!DONE!! 


Thursday, March 7, 2013

Quote of the Day


“I cannot believe that the purpose of life is to be happy. I think the purpose of life is to be useful, to be responsible, to be compassionate. It is, above all to matter, to count, to stand for something, to have made some difference that you lived at all.”

Leo Rosten


Word of the Day: Auto- ignition - Pyrolysis - Spontaneous Combustion


I just read Ceramic Review for this month and they had a letter in there by a potter who had been in business for 34 years and his kiln was fired 432 times. He went to bed and the shed caught on fire.  He attributed it to Pyrolysis. He had never heard of this!! That I found astounding! This is actually a common occurrence with old time potters.

So there are three words of the day : 


Pyrolysis - Pyrolysis is the thermal decomposition of organic material at elevated temperatures (800ºF– 1200ºF) in the absence of oxygen. Exothermic reaction.

This is what happens when wood is heated. The wood is not what is initially burning but the gases that are given off.  Click here for more information.

So what happened to this and many other poor potters is more like Auto-ignition.

Auto-ignition - is the minimum temperature required to ignite a gas or vapor in the air without a spark or flame being present. 

What happens is over years of heating the wood in the shed it is so dried out and charred it can ignite at a VERY low temperature (under 300 F). This is detailed in this paper (click here or read below). What they do is to heat wood over years at various temperature and then test where it ignites.

Only potters conduct the experiments over 30 plus years ! BEWARE!!!!!

That is the reason you make your shed of METAL. This potter had fiber around the chimney, etc. Another option is to separate your kiln shed from your house!

There is also spontaneous combustion.

Spontaneous combustion-The bursting into flame of a mass of material as a result of chemical reactions within the substance, without the addition of heat from an external source. Oily rags and damp hay, for example, are subject to spontaneous combustion.
Excerpt: With prolonged exposure at all of the temperatures used there was a gradual
darkening of the wood, accompanied by  loss of weight and shrinkage in the transverse dimensions of the specimen. Chemical destruction of the specimens, as indicated by their loss of weight, was not associated with any one critical temperature. Instead, at each temperature of exposure, the specimens lost weight at a rather regular rate, and the rate became faster as the temperature was raised.

Samples which had been exposed to 107° C. for 1,050 days assumed a light chocolate shade. Those exposed to 120° C. for 1,235 days became appreciably embrittled, were of a dark chocolate color, and when moistened were strongly acid to litmus paper. Those exposed to 140° and 150° C. had the appearance and friability of charcoal even before they had lost 65 percent of weight or their original air-dried weight at 6 to 8 percent moisture content, but none was ignited during its exposure.

...In a confined space, however, the opportunity for escape of the gases and the heat accompanying oxidation would be lessened, and the danger of developing spontaneous ignition would be increased. This may account for the fires that have been reported to have started in wood in direct contact with low-pressure steam pipes or in wood heated at temperatures below that where the exothermic reaction normally becomes a factor ( 9 ). There are also indications from experience with wood in dry kilns, steam tunnels, and other places that long continued intermittent heating and exposure to damp conditions accelerate the decomposition of wood.

Charles Krafft, ceramic artist and Holocaust denier

The Hatewatch Blog of the Southern Poverty Law Center has an excellent and in-depth post about ceramicist Charles Krafft and the recent controversy surrounding him and his admission that he is a Holocaust denier. It includes comments from Garth Clark (who sold some of Krafft's work though he never represented him):

Famous Seattle Ceramicist Exposed as Holocaust Denier

Any Clay Clubbers know Krafft and/or his work? Wondering what potters think about his work and this story.

Weather Dog 2


This is a shot of "weather dog".  When he looks like this it is a blizzard. 


When the icicles get frost on them ...it is cold!


Wednesday, March 6, 2013

Malcolm Mobutu Smith



Got this nice "cup" from Malcolm Mobutu Smith. NICE glaze and NICE form. Gold luster inside.
http://www.malcolmmobutusmith.com/

Sam Scott


Got a couple of new cups for the "collection".  Here is Sam Scott's . NICE glaze and NICE glazing!


Access Ceramics

Ben Krupka

Ben Krupka - on Access Ceramics


I was just made aware of this nice site for Ceramicists:

http://accessceramics.org/artists/


Tuesday, March 5, 2013

Slab Roller, Kiln and Extruder for SALE!!!!

We are downsizing our studio and have the following equipment for sale. We will appreciate your help.
We are located in the Riverside Business Park, Bay 27 in (Woodfin area) of Asheville.  Call for additional information and appointments to see pieces at the following phone numbers.

Julie: 828-280-1107
Ty:    828=242-1437



Thanks, Julie & Ty Larson


BAILEY SLAB ROLLER  -  Long table with drive boards.  40" wide X 100" long.  We really hate to sell this, but it simply won't fit in our new much smaller studio space.

We paid: $2356.00 including shipping.  Asking: $1500.00


L & L  Da VINCI KILN -  Interior dimensions: 30" X 30" X 27" high   Kiln needs new wiring.  Includes belt-lift option and downdraft vent



New cost: $4200.00  Asking: $1800.00





BAILEY PNEUMATIC EXTRUDER: Stainless barrel.  Stand and cut off tables.  (9" extension barrel)  Used only a few times.
We paid: $1628.00 with shipping.  Asking $1100.00


In addition, we have many smaller studio items which we are going to sell.  Shelving, small carts, tables, Sears Scroll Saw with floor stand, Radial-arm Saw, and a 3-bin stainless-steel restaurant sink with side   trays.  All these items can be seen at our present location.


 Thanks ,again,

Julie & Ty
Julie: 828-280-1107
Ty:    828=242-1437

Studio Fire - potter in need

Dillsboro potter Joe Frank Mckee lost his studio to a fire last night.


Details of how to help are on my blog www.whistlecreek.blogspot.com  or see below.

Thanks so much,
Dennis Allen




A Friend in Need...

Joe Frank McKee is a potter and gallery owner in Dillsboro N.C. You may know him through his work or because he puts on THE WESTERN NORTH CAROLINA POTTERY FESTIVAL in Dillsboro every November. Last night, his studio at his home burned to the ground. The fire did not reach the house and everyone is fine but the studio is a total loss. He is scheduled to do Raku and Demos at Mike and Karen Baum's Studio sale in Lebanon, Ohio in a couple of weeks and says he still plans to attend. Here is the letter I got from Mike and Karen...



Clay Alliance Members:

We just heard some really bad news. Our good friend and potter, Joe Frank McKee, of Dillsboro, NC, lost his entire studio in an electrical fire last night. Luckily, no one was hurt. As many of you know, Joe Frank is the guest artist at our upcoming open house, March 22 & 23. Trooper that he is, he is still coming but he and his family need our help to rebuild. The scope of his loss is incomprehensible.
If you can please send a check to:

JOE FRANK McKEE
TREE HOUSE POTTERY
148 Front St
P.O. BOX 253
DILLSBORO, NC 28725.

You can also show your appreciation and support by purchasing his pottery at the openhouse.

Joe Frank is one of the hardest working potters that we know; please keep him and his family in your thoughts and prayers.

Thanks,

Karen & Mike Baum





Pedestals MUST GO!




2 collapsible pedestals.  Tops come off legs. Tops are heavy.   Tall one: 50"H x 21"Wx 21"D, short: 33.5" h x 19"w x 19"d. Plants not included. $45 each




Great for: craft shows, galleries, show rooms, living rooms, plant displays, etc...
EMAIL ME: Emily    reasonpots@gmail.com

Monday, March 4, 2013

Cold as....


It has been very nice and wintry up on Roan.  


Did I mention cold and wintry?


and really cold and rhymey?


and another storm coming!